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"TITTER YE NOT"

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If you crossed a gangster and a garbage man,

 

what would you have?

 

Organised grime.

 

*********************

 

I've got a fetish for British gangster films.

So here I am - cock, sock and 1 smoking barrel.
 

**********************

 

The wife tells people,

 

"My son was just another mixed up kid who died in

the hood."

He wasn't a gangster...

The thick twat put his cagoule on back to front

and suffocated.

 

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NEWS: Gangster used Facebook in jail.

Al Capone, John Gotti and

4 others like this.

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tom powers james cagney

 THE PUBLIC ENEMY Movie Trailer 

 JAMES CAGNEY. 

 

 TOM POWERS 

 JAMES  CAGNEY 

 

 THE PUBLIC ENEMY 

 FILM POSTER 

 

8181138_0.jpg

 JIMMY JAMES CAGNEY 

 

The Public Enemy james cagney

 

This article is about the 1931 film. The Public Enemy (released as

Enemies of the Public in the United Kingdom) is a 1931 American

all-talking  Pre-Code crime film  produced and distributed by

Warner Bros.. The film was directed by William A. Wellman and

stars James Cagney, Jean Harlow, Edward Woods, Donald Cook,

and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in

prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and

Mae Clarke. The screenplay is based on a never- published novel by two former street thugs—

Beer and Blood by John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago.

 

As youngsters, Tom Powers (James Cagney) and his lifelong friend Matt Doyle (Edward Woods) engage in petty theft, selling their loot to  "Putty Nose"  (Murray Kinnell). When the pair are young men, Putty Nose persuades them to join his gang on a fur

warehouse robbery, assuring them he will take care of them if anything goes wrong. When Tom is startled by a stuffed bear, he shoots it, alerting the police, who kill gang member Larry Dalton. Chased by a cop, Tom and Matt have to gun him down. However, when they go to Putty Nose for help, they find he has left town.

 

Tom's straitlaced older brother Mike (Donald Cook) tries, but fails, to talk Tom into giving up crime. Tom keeps his activities secret from his doting mother (Beryl Mercer).  When America enters World War I in 1917,  Mike enlists in the Marines.

 

In 1920, with  Prohibition  about to go into effect, Paddy Ryan (Robert Emmett O'Connor) recruits Tom and Matt as beer "salesmen" (enforcers) in his bootlegging business. He allies himself with noted gangster Samuel"Nails"Nathan(Leslie Fenton). As the

bootlegging business becomes ever more lucrative, Tom and Matt flaunt their wealth.

james cagney tom powers public enemy
the public enemy poster

 THE PUBLIC ENEMY 

 FILM POSTER 

 

                                       

                                         Mike finds out that his brother's money comes not from politics, as Tom claims, but from  bootlegging,  and                                          declares that Tom's success is based on nothing more than "beer and blood"  (the title of the book upon                                              which the film is based). Tom retorts in disgust: "Your hands ain't so clean. You killed and liked it. You                                                   didn't get them medals for holding hands with them Germans."

 

                                         Tom and Matt acquire girlfriends, Kitty (an uncredited  Mae Clarke ) and Mamie (Joan Blondell)                                                            respectively. Tom eventually tires of Kitty; in a famous scene, when she complains once too often, he                                                   pushes half a grapefruit into her face. He then drops her for Gwen Allen (Jean Harlow), a woman with a                                               self-confessed weakness for bad men. At a restaurant on the night of Matt's wedding reception to Mamie,                                             Tom and Matt recognise Putty Nose and follow him home. Begging for his life, Putty plays a song on the                                              piano that he had entertained Tom and Matt with when they were kids. Tom shoots him in the back.

 

                                         Tom gives his mother a large wad of money, but Mike rejects the gift. Tom tears up the banknotes and                                                 throws them in his brother's face. "Nails" Nathan dies in a horse riding accident, prompting Tom to find the                                           horse and shoot it. A rival gang headed by "Schemer" Burns takes advantage of the disarray resulting                                                 from Nathan's death, precipitating  a gang war. 

 

                                         Later, Matt is gunned down in public, with Tom narrowly escaping the same fate. Furious, Tom takes it

                                         upon himself to single-handedly settle scores with Burns and some of his men. Tom is seriously wounded

                                         in the shootout, and ends up in the hospital. When his mother, brother and Matt's sister Molly come to see                                           him, he reconciles with Mike and agrees to reform. However, Paddy warns Mike that Tom has been                                                       kidnapped by the Burns mob from the hospital. Later, his dead body is returned to the Powers home.

                                    

                                         The screenplay which was written by  Harvey F. Thew  was based on a novel which was never published                                             called Beer and Blood, by John Bright and Kubec Glasmon. Bright and Glasmon based their novel on

                                         actual people, having witnessed some of Al Capone's murderous gang rivalries in Chicago. Warner

                                         Brothers studio head Darryl F. Zanuck bought the rights to the novel and assigned director William A.                                                   Wellman to direct the film. Wellman, who had served in World War I like the brother of the main character,                                           told Zanuck: "I'll bring you the toughest, most violent picture you ever did see".

 

                                          Edward Woods  was originally cast in the lead role of Tom Powers and James Cagney was cast as Tom's best friend Matt Doyle, until director Wellman decided Cagney would be more effective in the part and switched the two actors but never re-shot the sequences with the characters as children, which is why the child playing Cagney's role looks like Woods while

the one playing Woods' role looks like Cagney. Another reason for the switch is that the sound technology used in The Public Enemy was superior to that used in earlier films, making it no longer imperative to have an actor in the lead role who had impeccable enunciation. Although it was still a risk giving Cagney the starring role, his distinctive interpretation of the character, especially his machine-gun speaking style, was now technically feasible. Cagney was also short and seemed uncouth, compared to the typical finesse of a more conventionally cinegenic actor ike Woods, helping to establish Warner Brothers' reputation for film that explicitly

targeted working class audiences during the Great Depression. At the time of the role switch, Woods was promised by the studio

that it would be made up to him with later assignments, but this was never followed through and Woods subsequently fell into obscurity.

  KIRK BRANDON 

 Spear of Destiny - Never take me Alive  

 

 

Louise Brooks was the original choice for Gwen Allen, a woman with

self-confessed weakness for bad men. She refused the role, which went

to a much younger actress,  Jean Harlow.  name was in studio records/

casting call lists playing "Bess" in this movie, but she and her character,

did not appear. Tom's first girlfriend Kitty was played by Mae Clarke, who

was unaccredited. Kitty is eventually dropped off by Tom for Gwen after

he pushes half a grapefruit into her face, the most famous scene in the

movie. The same year, Clarke starred in the classic Universal horror

movie Frankenstein, starring Boris Karloff. She played the bride of Dr.

Frankenstein (played by Colin Clive), who is killed by the monster played

by Karloff.

 

 Joan Blondell  played Mamie, Matt's girlfriend. She had already worked

with Cagney in Sinners' Holiday (1930) and would work with him on two

films which also came out this year: God's Gift in Women and Blonde

Crazy. Other films that they worked together on were The Crowd Roars

(1932), Footlight Parade (1933) and He Was Her Man (1934). Cagney

once said that Blondell was the only woman he loved besides his wife.

Donald Cook played Tom's brother, Mike.

 

Filming took place in January and February 1931, with a small budget of

$151,000. During filming, Cagney also made Smart Money, co-starring

 Edward G. Robinson,  who had finished his break through film Little

Caesar.

  

In the scene where Mike Powers punches his brother Tom, Wellman privately took  Donald Cook  aside and, explaining his desire

for authenticity in Tom's reaction, asked the actor to really hit Cagney. Cook played his part a bit too well, and he struck Cagney in the mouth with such force, he actually broke one of Cagney's teeth. Yet in spite of his genuine shock and pain, Cagney stayed in character and played out the rest of the scene. In another incident, live ammunition was used in a scene where Tom Powers ducks around the corner of a building to take cover from machine gun fire; the use of live ammunition was common practice at the time.

The bullets struck the wall of the building at the position where Cagney's head had been just a moment prior.

 

A controversial scene in which Tom (James Cagney) angrily smashes a half grapefruit into his girlfriend's face (Mae Clarke). In a 1973 interview featured in the Turner Classic Movies documentary The Men Who Made The Movies:

                                                                                                                                                               William Wellman,  Wellman said he added the grapefruit "hitting" to the scene, because when he and his wife at the time would get into fights, she would never talk or give any expression. Since she always had a grapefruit for breakfast, he always wanted to put the grapefruit into her face just to get a reaction out of her, so she would show some emotion; he felt that this scene gave him the opportunity to rid himself of that temptation.

 

Some, such as film critic  Ben Mankiewicz,  have asserted that Mae Clarke's surprised and seemingly somewhat angry reaction to the grapefruit was genuine, as she hadn't been told to expect the unscripted action. However, in her autobiography, Clarke stated that Cagney had told her prior to that take what he planned to do. She said that her only genuine surprise came later, when she saw the grapefruit take of the scene appear in the final film, as it had been her understanding that they were shooting it only as a joke to amuse the crew.

 

According to Cagney, Clarke's ex-husband had the grapefruit scene timed, and would buy a ticket just before that scene went on screen, go enjoy the scene, leave, then come back during the next show just in time to see only that scene again.

 

The film featured a prologue "apprising the audience that the  hoodlums  and terrorists of the underworld must be exposed and the glamour ripped from them" and an epilogue "pointing the moral that civilization is on her knees and inquiring loudly as to what is to be done." At the film's premiere in New York City, the film's prologue was preceded by a "brief stage tableau, with sinuous green lighting, which shows a puppet gangster shooting another puppet gangster in the back."

 

The soundtrack included the following songs:

                                                                       "I'm Forever Blowing Bubbles"

                                                                       "Hesitation Blues"

                                                                       "Toot Toot Tootsie (Goodbye)"

                                                                       "Maple Leaf Rag"

                                                                       "Brighten the Corner Where You

                                                                       Are"

                                                                       "Smiles"

                                                                        " I Surrender Dear 

                                                                     

                                                                       The music was performed by the

                                                                       Vitaphone Orchestra, led by

                                                                       conductor David Mendoza.

 

While exact box figures are not available, The Public Enemy earned nearly

seven times its production costs ($151,000), making it the 9th highest grossing

film of 1931.

 

On Rotten Tomatoes, all 26 of the critics reviewing the film gave it a "Fresh" rating. Andre Sennwald, who reviewed the film for The New York Times upon its April 1931 release, called it "just another gangster film at the Strand, weaker than most in its story, stronger than most in its acting, and, like most, maintaining a certain level of interest through the last burst of machine-gun fire"; Woods and Cagney give "remarkably lifelike portraits of young hoodlums" and " Beryl Mercer  as Tom's mother, Robert Emmett O'Connor as a gang chief, and Donald Cook as Tom's brother, do splendidly." Time magazine called The Public Enemy "well-told" and noted "Unlike City Streets, this is not a Hugoesque fable of gangsters fighting among themselves, but a documentary drama of the bandit standing against society. It carries to its ultimate absurdity the fashion for romanticizing gangsters, for even in defeat the public enemy is endowed with grandeur." Variety called it "low-brow material given such workmanship as to make it high-brow" which attempts to "square everything [with] a foreword and postscript moralizing on the gangster as a menace to the public welfare."

                                                                

A theatre in Times Square ran The Public Enemy 24 hours a day during its initial release. At the 4th Academy Awards, the film was nominated for an Academy Award for Best Story, losing to The Dawn Patrol.

 

In 1989, an animatronics version of a scene from The Public Enemy was incorporated into The Great Movie Ride at the Disney-

MGM Studios theme park in Orlando, Florida. In 1998, The Public Enemy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2003 the character of Tom Powers was among the AFI's 100 Years...100 Heroes and Villains, placing 42nd in the villain list. In 2008, the film appeared on one of the AFI's 10 Top 10 lists—the best ten films in ten "classic" American film genres. The Public Enemy was listed as the eighth best in the gangster film genre.

 THE PUBLIC ENEMY 

 GRAPEFRUIT SCENE 

 

cody jarrett surrenders

 The Public Enemy (1931): Cagney Gives a    Bang Up Performance. 

 

 

The film was re-released in 1941 after the Production Code was put into effect. Three scenes from the film were cut because of the Code. One is of a markedly effeminate tailor measuring Tom for a suit, another with Matt and Mamie "rolling around" in bed, and the third showing Tom being seduced when hiding out in a woman's apartment. These three scenes were later restored for all DVD and  Blu-ray releases, and on Turner Classic Movies.

 

The film was also re-released in 1954, with a written prologue added before the

opening credits, advising that gangsters such as Tom Powers and Caesar "Rico"

Bandello, the title character in Little Caesar (played by Edward G. Robinson), are

a menace that the public must confront.

 

 The Public Enemy (1931) Quotes 

 

Tom Powers: Why that dirty, no good, yellow-bellied stool. I'm gonna give it to him

right in the head the first time I see him.

 

Tom Powers: Hiding behind Ma's skirts, like always.

Mike Powers: Better than hiding behind a machine gun.

 

Tom Powers: Hello baby. What are you gonna have?

Kitty: Anything you say, big boy.

Tom Powers: You're a swell dish. I think I'm going to go for you.

 

Tom Powers: So beer ain't good enough for you, huh?

Mike Powers: Do you think I care if there was just beer in that keg? I know what's

in it. I know what you've been doing all this time, how you got those clothes and

those new cars. You've been telling Ma that you've gone into politics, that you're

on the city payroll. Pat Burke told me everything. You murderers! There's not only

beer in that jug. There's beer and blood - blood of men! [Mike throws the keg into

the corner, smashing Mrs Powers' table and causing a racket]

Tom Powers: [Stands] You ain't changed a bit. [Tom walks away, but turns for the

last word]

Tom Powers: Besides, your hands ain't so clean. You killed and liked it. You didn't

get them medals for holding hands with them Germans.

 

 James Cagney was probably the most hardcore Gangster on film and gave one of his  best lines in the film The Public Enemy when he bragged, 

 "You'll never take me alive,  copper." 

 I'm forever blowing bubbles Pretty bubbles in the air 

public enemy james cagney
public enemy machine gun
james cagney revolvers

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